Guy Wetmore Carryl

Guy Wetmore Carryl

Summary

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Marvelous Coney Island (1901)

Immediately recreation becomes less a question of search than of selection. One has simply to decide in what manner he prefers to be made uncomfortable, for it is Coney Island’s claim to celebrity that she is prepared to make you so in a variety of ways approaching infinity, and, if you are of the majority, you are there for that express purpose. If you are not of the majority, your wisest course is to return without delay by the way you came, and leave to more appreciative mortals your place on the Scenic Railway, and the Sliding Staircase, and the Loops, and the Chutes, and the Camel.
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Marvelous Coney Island (1901)

Nowhere on earth, perhaps, is to be found a more eloquent illustration of the doctrine that when we regard as martyrdom when it come to us as an enforced duty, we hail hilariously as a privilege when it is no longer a question of anything but free will. How lugubriously should we bemoan our fate had we to undergo, as a matter of necessity, the physical discomforts which, elevated to the dignity of recreations, Coney Island put within our eager reach at a trifling sum per jolt!
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Marvelous Coney Island (1901)

Coney Island is not a resort of the kind which is said to grow upon the visitor. Rather she plunges at him, and, before he has time for reflection, proceeds to engulf him in a veritable maelstrom of tumultuous recreation. Hers are not the soothing methods of the nerve cure specialist, but the heroic measure of the life saver who administers a knock out blow between the eyes of a drowning man, and either rescues him thereby or puts a finishing touch to the mischief Father Ocean has begun.
The Americans have been called a nervous people.
Source: Wikisource

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