Summary

H. A. Guerber Myths of the Norsemen: From the Eddas and Sagas

Balder’s golden hall of Breidablik is like Apollo’s palace in the east; he, also, delights in flowers; all things smile at his approach, and willingly pledge themselves not to injure him. As Achilles was vulnerable only in the heel, so Balder could be slain only by the harmless mistletoe, and his death is occasioned by Loki’s jealousy just as Hercules was slain by that of Deianeira. Balder’s funeral pyre on Ringhorn reminds us of Hercules’s death on Mount Œta, the flames and reddish glow of both fires serving to typify the setting sun.
Source: Gutenberg

H. A. Guerber Myths of the Norsemen: From the Eddas and Sagas

They and their steeds were the personification of the clouds, their glittering weapons being the lightning flashes. The ancients imagined that they swept down to earth at Valfather’s command, to choose among the slain in battle heroes worthy to taste the joys of Valhalla, and brave enough to lend aid to the gods when the great battle should be fought.
“There through some battlefield, where men fall fast,
Their horses fetlock-deep in blood, they ride,
And pick the bravest warriors out for death,
Whom they bring back with them at night to Heaven
To glad the gods and feast in Odin’s hall.”
Source: Gutenberg

H. A. Guerber Myths of the Norsemen: From the Eddas and Sagas

The physical explanation of this myth is obvious. Idun, the emblem of vegetation, is forcibly carried away in autumn, when Bragi is absent and the singing of the birds has ceased. The cold wintry wind, Thiassi, detains her in the frozen, barren north, where she cannot thrive, until Loki, the south wind, brings back the seed or the swallow, which are both precursors of the returning spring. The youth, beauty, and strength conferred by Idun are symbolical of Nature’s resurrection in spring after winter’s sleep, when colour and vigour return to the earth, which had grown wrinkled and grey.
Source: Gutenberg

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