Summary

H. A. Guerber The Book of the Epic: The World's Great Epics Told in Story

There our poet beholds a ladder, up whose steps silently ascend those whose lives were spent in retirement and holy contemplation. Amazed by all he sees, and conscious he no longer hears the music of the spheres, Dante wonders until informed by one of the spirits, coming down the steps to meet him, that at this stage the heavenly music is too loud and intense for human ears. Seeing his interlocutor suddenly become a whirling wheel of light, Dante inquires what this may mean, only to be told spirits obscured on earth by fleshly garments shine brightly in heaven.
Source: Gutenberg

H. A. Guerber The Book of the Epic: The World's Great Epics Told in Story

To be sure, much of literature, and particularly the literature of the epic, is true rather to the tone of a nation than to its literal history—by which I mean that Achilles was more really a Greek hero than any Greek who ever lived, because he was the apotheosis of Greek chivalry, and as such was the expression of the Greeks rather than merely a Greek. The Iliad and the Odyssey are not merely epics of Greece—they are Greek.
This is an age of story-telling. Never before has the world turned so attentively to the shorter forms of fiction.
Source: Gutenberg

H. A. Guerber The Book of the Epic: The World's Great Epics Told in Story

Although the French slay the pagans by thousands, so many of their own warriors fall, that, by the time they have repulsed the first Saracen division, only sixty of Roland's men remain alive.
All nature seems to feel the terrible battle raging in the valley of Roncevaux, for a terrible storm breaks forth, in France, where, hearing the roll of the thunder, seeing the flash of the lightning, and feeling the earth shake beneath their feet, the French fear the end of the world has come. These poor warriors are little aware that all this commotion is due to "nature's grief for the death of Roland."
Source: Gutenberg

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