H. Bedford-Jones

Summary

H. Bedford-Jones The Three Men Over the Hill (1927)

Brundage was a yard away when it fell, and the stone left his hand as from a sling. It caught the Hazrami squarely between the eyes, full force. Hajji Ishak flung out his arms, and the blade, escaping from his hand, flew up in a long arc and then tinkled on the road and lay there, but no more quietly than its master.
"It's not—the—steel, but—the man!" gasped out Brundage, and laughed as he looked at the dead Arab lying in the sunlight.
Source: Wikisource

H. Bedford-Jones The Three Men Over the Hill (1927)

The palace was silent, dark. Brundage arranged the "Dutch Wife" bolster in his bed to simulate his own figure, drew the mosquito curtains, and settled down in the depths of a big chair six feet from the bed. Close beside his hand was an electric torch, and his pistol was in his lap.
Time passed. A flying fox barked monotonously in the gardens, and night-birds lifted recurrent voices; it was difficult to remain awake, but Brundage had motive to hold him vigilant.
Source: Wikisource

H. Bedford-Jones The Three Men Over the Hill (1927)

Brundage gestured to a chair and pulled up one for himself. He took out a cheroot and lighted it. She took the chair and regarded him, all in a quietly poised fashion as though she were neither astonished nor disconcerted.
BRUNDAGE knew suddenly he had met his match in will. Nothing bitter in her gaze, nothing hard and cold and efficient, like his own; wide-set eyes, very blue, and a face leaving an indistinct impression of fresh spring flowers and golden sunlight, impossible to describe. Not beautiful at all, as a camera registers beauty, and therefore the truer.
Source: Wikisource

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