H. Bedford-Jones, The Three Men Over the Hill (1927)
“ Brundage gestured to a chair and pulled up one for himself. He took out a cheroot and lighted it. She took the chair and regarded him, all in a quietly poised fashion as though she were neither astonished nor disconcerted. BRUNDAGE knew suddenly he had met his match in will. Nothing bitter in her gaze, nothing hard and cold and efficient, like his own; wide-set eyes, very blue, and a face leaving an indistinct impression of fresh spring flowers and golden sunlight, impossible to describe. Not beautiful at all, as a camera registers beauty, and therefore the truer. ”
