Summary

Portrait of Harold Bindloss Harold Bindloss The Cattle-Baron's Daughter

Was that it, Hetty?”
“No,” said Miss Torrance, who afterwards wondered whether it would have made a great difference if she had not chosen that nocturne. “It was the prairie when the 18 stars are coming out over Cedar Range. Then it seems bigger and more solemn than the sea. I can see it now, wide and grey and shadowy, and so still that you feel afraid to hear yourself breathing, with the last smoky flush burning on its northern rim. Now, you may laugh at me, for you couldn’t understand. When you have been born there, you always love the prairie.”
Source: Gutenberg

Portrait of Harold Bindloss Harold Bindloss The Cattle-Baron's Daughter

The beat of hoofs became unmistakable, and she could doubt no longer that a man was riding down the trail. He came into sight in another minute, a shadowy figure swinging to the stride of a big horse, with the line of a rifle-barrel across his saddle, and then, as he saw them, rode up at a gallop, scattering the snow.
Hetty!” he said, a swift flush of pleasure sweeping his face, and Miss Schuyler set her lips as she noticed that he did not even see her.
Hetty gathered up her bridle, and wheeled her horse. “Ride into the bluff—quick,” she said. “Somebody might see us in the trail.”
Source: Gutenberg

Portrait of Harold Bindloss Harold Bindloss The Cattle-Baron's Daughter

The line divided, and Grant and Breckenridge rode on with the smaller portion, while the rest swung wide to the right. In front of them the Cedar flowed through its birch-lined gully as yet but lightly bound with ice, and Breckenridge guessed that the men who had left them purposed cutting off the fugitive from the bridge. It was long before the first dim birches rose up against the sky, and the white wilderness was very still and the frost intense when they floundered into the gloom of the bluff at the hour that man’s vitality sinks to its lowest.
Source: Gutenberg

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