Harriet Elizabeth Prescott Spofford

Harriet Elizabeth Prescott Spofford

Summary

Portrait of Harriet Elizabeth Prescott Spofford Harriet Elizabeth Prescott Spofford The Atlantic Monthly (1866)

But that is the ideal of the past belonging to Belinda's waterfall, a trivial, common thing enough, yet one that has a right to its ideal, nevertheless, if we accept the ecstasies of a noted writer upon its magic material. "In spinning and weaving," says he, "the ideal that we pursue is the hair of a woman. How far are the softest wools, the finest cottons, from reaching it! At what an enormous distance from this hair all our progress leaves us, and will forever leave us! We drag behind and watch with envy this supreme perfection that every day Nature realizes in her play.
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Portrait of Harriet Elizabeth Prescott Spofford Harriet Elizabeth Prescott Spofford The Atlantic Monthly (1866)

Though too often with its aerial distances and borrowed hues it is a mere pleasure region, instead of that great reservoir from which we might draw fountains of inexhaustible treasure, yet, if we cultivated our present from our past, homage to it might be as much to the purpose at least as the Gheber's worship of the sun. The past is an atmosphere weighing over each man's life. The skilful farmer with his subsoil-plough lets down the wealthy air of the actual atmosphere into his furrows, deeper than it ever went before
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Portrait of Harriet Elizabeth Prescott Spofford Harriet Elizabeth Prescott Spofford The Atlantic Monthly (1866)

For when Laplace, through the acceleration of the moon, dropping her ten seconds a hundred years towards us, discovered the change in the earth's orbit,—swinging as it does from ellipse to circle and back again to ellipse, vibrating like a mighty pendulum, the "horologe of eternity" itself, with tremendous oscillations, through the depths of space,—he taught us that the earth endures; and so that the clay with which we are clothed still makes a part of the great revolution.
Source: Wikisource

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