Harry Leon Wilson

Harry Leon Wilson

Summary

Portrait of Harry Leon Wilson Harry Leon Wilson Ma Pettengill

Yes, sir; there she is at the top, drawing down big money, with a nice vine-clad home in this film town, furnished from a page in a woman's magazine, with a big black limousine like a hearse—all but the plumes—and a husband that she worships the ground he walks on. Everything the heart can desire, even to being mother to some of the very saddest persons ever seen on a screen. It shows what genius will do for a woman when she finds out what kind of genius she's got and is further goaded by the necessity of supporting a husband in the style to which he has been accustomed by a doting father.
Source: Gutenberg

Portrait of Harry Leon Wilson Harry Leon Wilson Ma Pettengill

And poor Clyde discovered the outrage that night when he was dressing for a class reunion of his dear old Alvah Mater.
I had to read between the lines some, but I gathered that he now broke down completely at this betrayal of his trusting nature. Vida must of been suffering too keenly herself to write me all the pitiful details. And right on top of this blow comes the horrible discovery, when he takes his mandolin out of the case, that it has been fatally injured in the moving. One blow right on another. How little we realize the suffering that goes on all about us in this hard world.
Source: Gutenberg

Portrait of Harry Leon Wilson Harry Leon Wilson Ma Pettengill

On the shaded side piazza of the ranch house I could discern my hostess, Mrs. Lysander John Pettengill; she sat erect, even in a rocking-chair, and knitted. On the kitchen steps, full in the westering sun, sat the Chinese chef of the Arrowhead, and knitted—a yellow, smoothly running automaton. On a shaded bench by the spring house, a plaid golfing cap pushed back from one-half the amazing area of his bare pate, sat the aged chore-boy, Boogles, and knitted. The ranch was on a war basis.
Source: Gutenberg

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