Havelock Ellis

Havelock Ellis

Summary

Portrait of Havelock Ellis Havelock Ellis Love and Pain — Volume 7 (1913)

In algolagnia, as in music, it is not cruelty that is sought; it is the joy of being plunged among the waves of that great primitive ocean of emotions which underlies the variegated world of our everyday lives, and pain--a pain which, as we have seen, is often deprived so far as possible of cruelty, though sometimes by very thin and feeble devices--is merely the channel by which that ocean is reached.
Source: Wikisource

Portrait of Havelock Ellis Havelock Ellis Love and Pain — Volume 7 (1913)

Let us suppose that every musical instrument is sensitive and that every musical performance involves the infliction of pain on the instrument. It would then be very difficult indeed to realize that the pleasure of music lies by no means in the infliction of pain. We should certainly find would-be scientific and analytical people ready to declare that the pleasure of music is the pleasure of giving pain, and that the emotional effects of music are due to the pain thus inflicted.
Source: Wikisource

Portrait of Havelock Ellis Havelock Ellis Love and Pain — Volume 7 (1913)

So that we have come to see that in the phrase "love and pain" we have to understand by "pain" a state of intense emotional excitement with which pain in the stricter sense may be associated, but is by no means necessarily associated. It is the strong emotion which exerts the irresistible fascination in the lover, in his partner, or in both. The pain is merely the means to that end. It is the lever which is employed to bring the emotional force to bear on the sexual impulse. The question of love and pain is mainly a question of emotional dynamics.
Source: Wikisource

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