Henry Adams,
The Education of Henry Adams — Chapter 27…
(1918)
“ New York or Paris might be whatever one pleased,—venal, sordid, vulgar,—but society nursed there, in the rottenness of its decay, certain anarchistic ferments, and thought them proof of art. Perhaps they were; and at all events, Wagner was chiefly responsible for them as artistic emotion. New York knew better than Baireuth what Wagner meant, and the frivolities of Paris had more than once included the rising of the Seine to drown out the Etoile or Montmartre, as well as the sorcery of ambition that casts spells of enchantment on the hero. ”
