Summary

Henry Davey Dictionary of National Biography (1901)

William, his eldest son, then managed the business for his mother until 1843, They employed a shopman of Scottish birth, who frequently boasted of the folk-music of Scotland, and sneered at English folk-music as non-existent or unimportant; these taunts impelled Chappell to the study of English folk-tunes and ballads, and aroused the prejudice against Scottish music, so frequently perceptible in his writings.
Source: Wikisource

Henry Davey Dictionary of National Biography (1901)

For many years he refused to let any other organist play on his own organ. He kept the tuner in attendance at his recitals in St. George's Hall, and would leave his seat in the middle of a performance to expostulate with him; on one occasion he informed the audience that the tuner received a princely salary and neglected his work. He would indulge his fancies to the full in brilliant extemporisations when a church organist, but his recitals in St. George's Hall were invariably restrained and classical.
Source: Wikisource

Henry Davey Dictionary of National Biography (1901)

At about the age of twenty he decided to become a professional musician. In 1847 he was appointed organist at the church for the blind, and in 1849 also to the Liverpool Philharmonic Society. He paid a visit to Spain in the winter of 1852-3, and then spent some time in London, acting as organist at the Royal Panopticon (now the Alhambra) , which possessed a four-manual organ, the largest in London.
Source: Wikisource

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