Henry Harland

Henry Harland

Summary

Portrait of Henry Harland Henry Harland,  Comedies and Errors

“ She was so near to me—so near, the slender figure in the pretty frock, with the dark hair, and the captivating hat, and the furs; with her soft glowing eyes, with her exquisite fragrance of girlhood; she was so near to me, so alone with me, despite the crowd about us, and I loved her so! Oh, why couldn’t I tell her? Why couldn’t she divine it? People said that women always knew by intuition when men were in love with them. Why couldn’t Rosalys divine that I loved her, how I loved her, and make me a sign, and so enable me to speak? ”
Source: Gutenberg

Portrait of Henry Harland Henry Harland,  Comedies and Errors

“ For my grandmother always kept a dark-blue bottle of orange-flower water in her closet, and the air of her room was always faintly sweet with the perfume of it.
Suddenly, suddenly, a sort of ghost of my grandmother’s room rose before me; and as I peered into it and about it, a ghost of the old emotion her room used to stir in me rose too, an echo of the old wonder, the old feeling of strangeness and mystery. It was a big room—or, at least, it seemed big to a child—a corner room, on the first floor, with windows on two sides.
”
Source: Gutenberg

Portrait of Henry Harland Henry Harland,  Comedies and Errors

“ Ambrose!”
I can see him now almost as clearly as I saw him then, when he stood before me, faintly smiling: tall and thin, stooping a little, dressed in black, with a long broad beard, long hair, and a pale, worn, aquiline face. It is the face especially that comes back to me, pale and worn and finely aquiline, the face, the high white brow, the deep eyes set wide apart, the faint, faded smile: a striking face—an intellectual face—a handsome face, despite many wrinkles—an indescribably sad face, even a tragic face—and yet, for some reason, a face that was not altogether sympathetic.
”
Source: Gutenberg

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