“ Beneath the forced playfulness of her tone it seemed to him that something hopeful sounded. “Ah, dear friend,” he murmured, drawing close to her—“think!—think tenderly in my behalf! Ask yourself—your kindest self—if I must be really driven away. Why is it that I may not stay? I plead with you as if it were for my life—and is it not indeed for my life?—my very life?” “No—Christian,” she said, gravely, “it is not your life, nor anything like your life. You give big labels to your emotions, but in good time you will see that the things themselves are not so big, or so vital. ”
Harold Frederic
Summary
Harold Frederic’s Gloria Mundi (1888) is a novel examining the complex interplay of love, social responsibility, and personal identity through the lives of its central figures, including Christian, Emanuel, and Lady Cressage, set against the Caermere estate and the historical background of the Torrs.
Themes of emotional sensitivity, familial duty, and the conflict between personal longing and inherited tradition run throughout the narrative, as illustrated by the characters’ internal struggles, subtle exchanges, and the burden of ancestral emblems. Frederic’s writing explores the nuances of human relationships, portraying love as both an emancipating force and a catalyst for existential turmoil, ultimately demonstrating how individual and historical identities converge to define the human experience.
Quotes from Gloria Mundi (Harold Frederic)
“ I catch him forcing a smile on his face when he sees me looking at him—and that is the hardest of all for me to bear. But I don’t know”—she drew a long breath, and gazed with a wistful brightening in her eyes at the placid hills and sky—“it may work itself out for the best. As you say—when we get away alone together, ah, that is where love like ours will surely tell. I do wrong to harbor any doubts at all. When two people love each other as we do—ah, Christian, boy, there’s nothing else in all the world to equal that!” ”
“ At the houses where we would naturally go, the women talk about matters of which I know absolutely nothing, and Emanuel either quarrels with the men about what they call their politics, or chokes silently with rage and disgust. And then the spectacle of the people in the streets—the poor of London!—that fairly sickens our hearts. We have no joy of going at all. Occasionally we have guests down here, but it is not a very happy time they have of it. Everything is so strange to them that they are confused, and walk about with constraint, as if they were being shown around an asylum. ”
