Henry James

Summary

Henry James The Better Sort (1903)

John Marcher thought. "Did you ask me that before?"
"No—I wasn't so free-and-easy then. But it's what strikes me now."
"Of course," he said after a moment, "it strikes you. Of course it strikes me. Of course what's in store for me may be no more than that. The only thing is," he went on, "that I think that if it had been that, I should by this time know."
"Do you mean because you've been in love?" And then as he but looked at her in silence: "You've been in love, and it hasn't meant such a cataclysm, hasn't proved the great affair?"
Source: Wikisource

Henry James The Better Sort (1903)

Maud remarked, "for anything but an interest."
"Naturally. But your interest," Voyt replied, "is in something different from life."
"Ah, not a bit! I love life—in art, though I hate it anywhere else. It's the poverty of the life those people show, and the awful bounders, of both sexes, that they represent."
"Oh, now we have you!" her interlocutor laughed. "To me, when all's said and done, they seem to be—as near as art can come—in the truth of the truth. It can only take what life gives it, though it certainly may be a pity that that isn't better.
Source: Wikisource

Henry James The Better Sort (1903)

But poor Marcher, at this hour, judged the common doom sufficient. It would serve his turn, and even as the consummation of infinite waiting he would bend his pride to accept it. He sat down on a bench in the twilight. He hadn't been a fool. Something had been, as she had said, to come. Before he rose indeed it had quite struck him that the final fact really matched with the long avenue through which he had had to reach it. As sharing his suspense, and as giving herself all, giving her life, to bring it to an end, she had come with him every step of the way.
Source: Wikisource

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