Henry Kitchell Webster

Henry Kitchell Webster

Summary

Portrait of Henry Kitchell Webster Henry Kitchell Webster,  Mary Wollaston

“ March's frame stiffened.
"Oh night! do I not see my love fluttering out among the
breakers?
What is that little black thing I see there in the white?"
"Now then," March whispered. "Quicker! My God, can't they pick it up?" Like an echo came LaChaise's "Plus vite! Stringendo, jusque au bout!" and with a gasp the composer greeted the quickened tempo. Then as the song swept to its first tempestuous climax he clutched Mary's arm. "That's it," he cried. "Can't you see that's it?"
"Loud! loud! loud!
”
Source: Gutenberg

Portrait of Henry Kitchell Webster Henry Kitchell Webster,  Mary Wollaston

“ As for John Wollaston, he was very tired. Paula's volcanic moments always exhausted him. He never could derationalize his emotions, cut himself free; and while he felt just as intensely as she did, he had to carry the whole superstructure of himself along on those tempestuous voyages. In the mood Paula had left him in this morning, there was nothing in the world that could have satisfied and restored him as did his daughter's companionship. The peace of this wordless prolongation of their talk together was something he lacked, for a long while, the will to break. ”
Source: Gutenberg

Portrait of Henry Kitchell Webster Henry Kitchell Webster,  Mary Wollaston

“ It was no nightmare then of his own overwrought imagination. Jennie had perceived the emergency—the actual life-or-death emergency—and with courageous inspiration had done, unhesitatingly, the one thing that could possibly meet the case. She had given him his chance. Jennie!
He arrived at that terminus just as Mary finished speaking. In the pause that followed she did not at first look at him. Her gaze had come to rest upon that abortive musical typewriter of his. Not quite in focus upon it, but as if in some corner of her mind she was wondering what it might be.
”
Source: Gutenberg

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