“ After a hoarse scream a machine-gun begins to crackle, rending both air and men.It is all one vast intermittent hurly-burly, lightning flashing low down, V-shaped sheaves of red fire. And all is, each time, unexpected, cruelly inconsequent, magnificent and devastating.Thousands of men are there, and thousands upon thousands, all over this plain of the Ancre. There they lie, buried in their trenches, their nerves like stretched wire, ready to spring forward on the instant.From here we can see one of the last sectors to be conquered.It is land over which the offensive has passed. ”
Henry Ruffin
Summary
Henry Ruffin’s The Square Jaw immerses readers in the harrowing realities of World War I, focusing on the British and Australian troops involved in the brutal trench warfare along the Ancre River and sectors such as Beaucourt and Beaumont-Hamel. Through vivid portrayals of mud, artillery bombardments, and the unceasing fight for triumph, Ruffin captures the visceral experience of soldiers enduring the chaos of battle.
The text highlights the resilience of troops amid devastation, contrasting the grotesque violence of war with moments of quiet perseverance and the symbolic promise of victory. Ruffin’s account, rich in sensory detail, underscores the human cost and unyielding spirit of those who fought in the conflict’s most relentless arenas.
Quotes from The Square Jaw (Henry Ruffin)
“ Commissariat lorries, motor ambulances, artillery ammunition wagons, despatch riders, the motor-cars of the Staff, and then, in the middle of this mad torrent of traffic, some country gig, creeping along at a jog-trot. The roads are a river of mud. We wallow in it frantically; we drown in unsuspected lakes. We suffer the modern equivalent of the punishment of Sodom and Gomorrah. At once we find ourselves being changed into clumsy statues of clay. It is not more cars that are needed to get forward, but those Venetian boats that glide along the canals before the strokes of a curved oar. ”
“ They are the German trenches, dug in the solid chalk at the beginning of the offensive. It is as if someone had made chalk drawings on those slopes to amuse the aeroplanes. In front, following their lines, are walls of sand-bags, so high and so deep that they appear to be a citadel: the English trenches. It is a stiff climb. We hop from puddle to puddle like sparrows. Everywhere the earth is in heaps. Holes filled with water—shell-holes, you understand—have turned the whole place into a chessboard of sunken squares. ”
