Summary

Henry Seton Merriman Tomaso's Fortune and Other Stories

The one name is Antonio. When you are an old woman, Senorita, you can tell your children—or perhaps your grandchildren, if the good God is kind to you—that you once knew Antonio, and took a cup of coffee with him. But you must not say it now—never—never. And the other name is Mateo. You can tell your children, Senorita, when your hair is white, that you once spoke to a man who was a friend to this Mateo.”
He finished with his gay laugh, as if he were fully alive to his own fine conceit, and begged indulgence.
Source: Gutenberg

Henry Seton Merriman Tomaso's Fortune and Other Stories

And, of course, the only solution was that Rosa would do well to marry Felipe. So Tomaso withdrew to the outer side of the road and the shade of the fig-tree, while Felipe talked gaily with Rosa's mother, and Rosa looked on from the doorway with deep, dark eyes that said nothing at all. For Felipe was wooing the daughter through the mother, as men have often done before him; and the widow smiled on Felipe's suit. The whole business, it appeared, was to be conducted in a sane and gentlemanly way, over a half of the widow's wine, with clinking glasses and a grave politeness.
Source: Gutenberg

Henry Seton Merriman Tomaso's Fortune and Other Stories

Since the death of his mother he had lived alone, cooking his own food, washing his own clothes, and no man in the valley wore a whiter shirt. As to the food, perhaps there was not too much of it, or it may have been badly cooked; for Tomaso had a lean and hungry look, and his tanned cheek had diagonal lines drawn from the cheek-bone to the corner of the clean-shaven mouth. The lips were firm, the chin was long. It was a solemn face that looked out from beneath the shadow of the great fig-tree. And—there was no mistaking it—it was the face of that which the world calls a gentleman.
Source: Gutenberg

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