Caterina

Definition and stakes

Portrait of Matilde Serao Matilde Serao,  Fantasy: A Novel (1891)

“ The impression produced by Caterina on Alberto was the negative one of absence of sex: she was neither beautiful nor ugly in his sight, nor a woman at all. In Caterina the instinct of health which recoils from disease, made him repellent to her. Then came the gloomy hours in which Lucia, in dumb despair, would betake herself to the sofa, where she would lie as rigid as the dead, her feet hidden under her skirts, her train hanging on the ground, with wreathed arms, and hands crossed behind her head, closed eyes and deathly pallor. ”
Source: Gutenberg

Portrait of Matilde Serao Matilde Serao,  Fantasy: A Novel (1891)

“ Caterina mia! For what you have done to me, may happiness be yours! May God’s hand be over your house! May love and joy abide within it! May Andrea ever love you more and more; may he adore thee as the Madonna is adored....”
Caterina signed to her to be silent, for the strain was getting too much for her; they kissed each other over and over again. When they entered the drawing-room, Lucia’s eyes were swollen.
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Source: Gutenberg

Portrait of Matilde Serao Matilde Serao,  Fantasy: A Novel (1891)

“ Impossible to speak to Lucia alone for a minute. Two or three times they had attempted this, almost oblivious of the others’ presence; but having stopped in time, had found each other mute, pale from weariness, their faces drawn by suppressed yawns. Caterina and Alberto had nothing to say to each other. After five minutes they subsided into an inevitable silence. Alberto considered Caterina an excellent woman, a notable housekeeper, but rather stupid, and in every way inferior to his wife. Caterina judged no man, but all that Alberto inspired her with was quiet, unemotional compassion. ”
Source: Gutenberg

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