Matilde Serao,
Fantasy: A Novel
(1891)
“ The impression produced by Caterina on Alberto was the negative one of absence of sex: she was neither beautiful nor ugly in his sight, nor a woman at all. In Caterina the instinct of health which recoils from disease, made him repellent to her. Then came the gloomy hours in which Lucia, in dumb despair, would betake herself to the sofa, where she would lie as rigid as the dead, her feet hidden under her skirts, her train hanging on the ground, with wreathed arms, and hands crossed behind her head, closed eyes and deathly pallor. ”
