Annette M. B. Meakin, Galicia, the Switzerland of Spain
“ In Christian artists of greater note than Mateo—even in Nicolas of Pisa, there is something earthly, frivolous, profane; but in Mateo all is serious, spiritual, without any loss of the human element. As we contemplate the Pórtico the figures almost seem to move, to sit, to talk. You seem to hear the murmur of their lips. The same discreet realism manifested in the heads is shown also in the limbs. The arms, the hands, and even the fingers seem to move with flexibility and delicacy. ”
