Henry Wilton Thomas

Summary

Henry Wilton Thomas The sword of wealth (1906)

In his own life the tragedy of ages was on for its hour, and the spirit that swayed him was the spirit of the cave-dweller robbed of his female in the dawn of the centuries. The events of the last two weeks rose before him. A vision of all that had come and gone grew vivid in his mind. At first Donna Beatrice and Don Riccardo and Hera were there, each standing in proper relation to the whole; but one by one these faded out to disclose with infuriating boldness the face and figure of Mario Forza.
A few minutes more and Tarsis ceased walking to take a seat at the Napoleonic table.
Source: Gutenberg

Henry Wilton Thomas The sword of wealth (1906)

Wherever the mob fought most savagely there was La Ferita, the long scar on her face dulled now by the grime of the struggle. Often it was her hand that applied the torch. With the women that followed her she urged on the men, or dashed alone in front of the soldiers, calling them cowards, assassins, “slaves of Tarsis, who killed little children.” Now and then the soldiers charged their tormentors. Although some of them stood their ground or were carried away wounded, La Ferita was never among the number.
“I can die!” she told her comrades. “But it is not time. I have work to do.”
Source: Gutenberg

Henry Wilton Thomas The sword of wealth (1906)

When he spoke again Hera, with quickening pulse, knew the calm of his character was going; and she was glad for the passion in his tone and the anger that hardened his voice.
“The sacrifice is divine!” he exclaimed. “But the demand for it, the permitting of it, that is monstrous! No human interest can justify the ruin of a life, the desecration of a soul!”
He drew closer to her, his studied control of the past all gone.
“Donna Hera!” he cried, “this must not be—this marriage to-morrow. It is hideous in the eye of God and man.”
Source: Gutenberg

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