Herman Cyril McNeile

Herman Cyril McNeile

Summary

Portrait of Herman Cyril McNeile Herman Cyril McNeile The Ducking of Herbert Polton (1925)

I said so to Moyra Jackson one day. The conversation had turned on Bill, as it frequently did if she and I were alone.
"Surely, Squash-face," she said a little wistfully, "there must be some market for a man like him. When you see the awful horrors you do see earning huge salaries, it seems ridiculous that Bill can't get a job. He's ever so much nicer than they are.
Source: Wikisource

Portrait of Herman Cyril McNeile Herman Cyril McNeile The Ducking of Herbert Polton (1925)

The fact that by so doing he earned the gratitude of Moyra and ran a good chance of killing Bill was entirely typical of Herbert Polton. But the utter futility of saying so to them was apparent. You don't deter a virile man from accepting a good job because the locality is unhealthy; you don't tell your best friend that you are convinced that the only reason he's got a job is that the man who has given it to him is in love with his girl and wants him out of the way.
Source: Wikisource

Portrait of Herman Cyril McNeile Herman Cyril McNeile The Ducking of Herbert Polton (1925)

And though I didn't say so I doubted if any such demand was ever likely to be made on that excellent body of men as far as Bill was concerned. He was just like hundreds of others—a clean-living sportsman without a trade. And there's no money in being a clean-living sportsman. To ride straight at your fences, possess more than your fair ability with a gun, and be next door to first-class at all games with a ball is an excellent state of affairs; but from the financial point of view an ability to draw a picture of a good mixed-grill on the pavement wins in a canter.
Source: Wikisource

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