Herman Melville

Herman Melville

Summary

Portrait of Herman Melville Herman Melville The Piazza Tales — The Piazza (1856)

Launching my yawl no more for fairy-land, I stick to the piazza. It is my box-royal; and this amphitheatre, my theatre of San Carlo. Yes, the scenery is magical—the illusion so complete. And Madam Meadow Lark, my prima donna, plays her grand engagement here; and, drinking in her sunrise note, which, Memnon-like, seems struck from the golden window, how far from me the weary face behind it.
But, every night, when the curtain falls, truth comes in with darkness. No light shows from the mountain. To and fro I walk the piazza deck, haunted by Marianna's face, and many as real a story.
Source: Wikisource

Portrait of Herman Melville Herman Melville The Piazza Tales — The Piazza (1856)

For not only do long ground-swells roll the slanting grain, and little wavelets of the grass ripple over upon the low piazza, as their beach, and the blown down of dandelions is wafted like the spray, and the purple of the mountains is just the purple of the billows, and a still August noon broods upon the deep meadows, as a calm upon the Line; but the vastness and the lonesomeness are so oceanic, and the silence and the sameness, too, that the first peep of a strange house, rising beyond the trees, is for all the world like spying, on the Barbary coast, an unknown sail.
Source: Wikisource

Portrait of Herman Melville Herman Melville The Piazza Tales — The Piazza (1856)

Fairies there, thought I, once more; the queen of fairies at her fairy-window; at any rate, some glad mountain-girl; it will do me good, it will cure this weariness, to look on her. No more; I'll launch my yawl—ho, cheerly, heart! and push away for fairy-land—for rainbow's end, in fairy-land.
How to get to fairy-land, by what road, I did not know; nor could any one inform me; not even one Edmund Spenser, who had been there—so he wrote me—further than that to reach fairy-land, it must be voyaged to, and with faith.
Source: Wikisource

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