Hjalmar H. Boyesen, Ilka on the Hill Top (collection… (1881)
“ Her maestro had told her repeatedly that she had naturally a better voice than Nilsson, and that, if she could dry up for ever her fountain of tears, she might become a great artiste. For Ilka had the deplorable habit of crying on very slight provocation. The maestro, with his wild hair, his long, polished nails, and his frantic gesticulations, frightened and distressed her; she thought and spoke of him as a kind of curious animal, and nothing could persuade her that he and she belonged to the same species. Nor did Mr. Hahn and Fritz seem to her more than half human. ”
