Summary

Portrait of Honoré de Balzac Honoré de Balzac A Distinguished Provincial at Paris

For the public admires the handle, the delicate work of the brain, while the cruelty is not apparent; how should the public know that the steel of the epigram, tempered in the fire of revenge, has been plunged deftly, to rankle in the very quick of a victim’s vanity, and is reeking from wounds innumerable which it has inflicted? It is a hideous joy, that grim, solitary pleasure, relished without witnesses; it is like a duel with an absent enemy, slain at a distance by a quill; a journalist might really possess the magical power of talismans in Eastern tales.
Source: Gutenberg

Portrait of Honoré de Balzac Honoré de Balzac A Distinguished Provincial at Paris

You are somebody in your own country, in Paris you are nobody. The transition between the first state and the last should be made gradually, for the too abrupt fall is something like annihilation. Paris could not fail to be an appalling wilderness for a young poet, who looked for an echo for all his sentiments, a confidant for all his thoughts, a soul to share his least sensations.
Lucien had not gone in search of his luggage and his best blue coat; and painfully conscious of the shabbiness, to say no worse, of his clothes, he went to Mme. de Bargeton, feeling that she must have returned.
Source: Gutenberg

Portrait of Honoré de Balzac Honoré de Balzac A Distinguished Provincial at Paris (1839)

There was no anger in her face, no embarrassment; she looked from Camusot to Lucien. The two men avoided each other's eyes.
"I will believe nothing that you do not wish me to believe," said Camusot. "Don't play with me, Coralie; I was wrong——"
"I am either a shameless baggage that has taken a sudden fancy; or a poor, unhappy girl who feels what love really is for the first time, the love that all women long for. And whichever way it is, you must leave me or take me as I am," she said, with a queenly gesture that crushed Camusot.
Source: Wikisource

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