Anatole Cerfberr

Anatole Cerfberr

Summary

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of the Comedie Humaine (1902)

Have you dreamed at an age when one plucks in advance all the fruit from the tree of life—yet in blossom—I repeat, have you dreamed of being a Daniel d'Arthez, and of covering yourself with glory by the force of your achievements, in order to be requited, some day, for all the sufferings of your poverty-stricken youth, by the sublime Diane, Duchesse de Maufrigneuse, Princesse de Cadignan?
Source: Wikisource

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of the Comedie Humaine (1902)

It is the skeleton of these individuals and of these families that is laid bare for your contemplation in these notes of Messieurs Cerfberr and Christophe. But this structure of facts, dependent one upon another by a logic equal to that of life itself, is the smallest effort of Balzac's genius. Does a birth-certificate, a marriage-contract or an inventory of wealth represent a person? Certainly not. There is still lacking, for a bone covering, the flesh, the blood, the muscles and the nerves. A glance from Balzac, and all these tabulated facts become imbued with life
Source: Wikisource

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of the Comedie Humaine (1902)

Was only ten years of age when his mother sent him off to the Dutch possessions in India. There and in America he met distinguished people, also several corsairs; traveled all over the world and tried many trades. The passion for money took entire hold of him. Finally he came to Paris which became the centre of his operations, and established himself on rue des Gres. There Gobseck, like a spider in his web, crushed the pride of Maxime de Trailles and brought tears to the eyes of Mme. de Restaud and Jean-Joachim Goriot—1819.
Source: Wikisource

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