Summary

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of The Comedie Humaine…

The passion for money took entire hold of him. Finally he came to Paris which became the centre of his operations, and established himself on rue des Gres. There Gobseck, like a spider in his web, crushed the pride of Maxime de Trailles and brought tears to the eyes of Mme. de Restaud and Jean- Joachim Goriot—1819. About this same time Ferdinand du Tillet sought out the money-lender to make some deals with him, and spoke of him as "Gobseck the Great, master of Palma, Gigonnet, Werbrust, Keller and Nucingen."
Source: Gutenberg

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of The Comedie Humaine…

But this structure of facts, dependent one upon another by a logic equal to that of life itself, is the smallest effort of Balzac's genius. Does a birth-certificate, a marriage-contract or an inventory of wealth represent a person? Certainly not. There is still lacking, for a bone covering, the flesh, the blood, the muscles and the nerves. A glance from Balzac, and all these tabulated facts become imbued with life; to this circumstantial view of the conditions of existence with certain beings is added as full a view of the beings themselves.
Source: Gutenberg

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of The Comedie Humaine…

In your mind's eye has the map of France ever appeared to be divided into as many provinces as the /Comedie Humaine/ has stories? Has Tours stood for Birotteau, La Gamard, for the formidable Abbe Troubert; Douai, Claes; Limoges, Madame Graslin; Besancon, Savarus and his misguided love; Angouleme, Rubempre; Sancerre, Madame de la Baudraye; Alencon, that touching, artless old maid to whom her uncle, the Abbe de Sponde, remarked with gentle irony: "You have too much wit. You don't need so much to be happy"?
Source: Gutenberg

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