Summary

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of The Comedie Humaine…

Her income of eighty thousand livres, her castle of Les Touches, near Guerande —Loire-Inferieure—her Parisian mansion on the rue de Mont-Blanc—now rue de la Chaussee-d'Antin,—her birth, and her connections, had their power of influence. Her irregularities were covered as with a veil, in consideration of her genius. Indeed, Mademoiselle des Touches had more than one lover: a gallant about 1817; then an original mind, a sceptic, the real creator of Camille Maupin; and next Gennaro Conti, whom she knew in Rome, and Claude Vignon, a critic of reputation.
Source: Gutenberg

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of The Comedie Humaine…

Have you dreamed at an age when one plucks in advance all the fruit from the tree of life —yet in blossom—I repeat, have you dreamed of being a Daniel d'Arthez, and of covering yourself with glory by the force of your achievements, in order to be requited, some day, for all the sufferings of your poverty-stricken youth, by the sublime Diane, Duchesse de Maufrigneuse, Princesse de Cadignan?
Source: Gutenberg

Portrait of Anatole Cerfberr Anatole Cerfberr Repertory of The Comedie Humaine…

The passion for money took entire hold of him. Finally he came to Paris which became the centre of his operations, and established himself on rue des Gres. There Gobseck, like a spider in his web, crushed the pride of Maxime de Trailles and brought tears to the eyes of Mme. de Restaud and Jean-Joachim Goriot—1819. About this same time Ferdinand du Tillet sought out the money-lender to make some deals with him, and spoke of him as "Gobseck the Great, master of Palma, Gigonnet, Werbrust, Keller and Nucingen."
Source: Gutenberg

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