Honoré de Balzac

Honoré de Balzac

Summary

Portrait of Honoré de Balzac Honoré de Balzac At the Sign of the Cat and Racket (1830)

At the first dinner Theodore gave, she heard a young painter say, with the childlike lightness, which to her was unintelligible, and which redeems a jest from the taint of profanity, "But, madame, your Paradise cannot be more beautiful than Raphael's Transfiguration!—Well, and I got tired of looking at that."
Thus Augustine came among this sparkling set in a spirit of distrust which no one could fail to see. She was a restraint on their freedom. Now an artist who feels restraint is pitiless; he stays away, or laughs it to scorn.
Source: Wikisource

Portrait of Honoré de Balzac Honoré de Balzac At the Sign of the Cat and Racket (1830)

Augustine, almost senseless with grief, pointed to the wreck with a gesture of deep despair.
"I don't know that the loss is very great!" cried the old mistress of the Cat and Racket. "It was like you, no doubt; but I am told that there is a man on the boulevard who paints lovely portraits for fifty crowns."
"Oh, mother!"
"Poor child, you are quite right," replied Madame Guillaume, who misinterpreted the expression of her daughter's glance at her. "True, my child, no one ever can love you as fondly as a mother. My darling, I guess it all; but confide your sorrows to me, and I will comfort you.
Source: Wikisource

Portrait of Honoré de Balzac Honoré de Balzac At the Sign of the Cat and Racket

Theodore lavished on every day inexhaustible fioriture of enjoyment, and he delighted to vary the transports of passion by the soft languor of those hours of repose when souls soar so high that they seem to have forgotten all bodily union. Augustine was too happy for reflection; she floated on an undulating tide of rapture; she thought she could not do enough by abandoning herself to sanctioned and sacred married love; simple and artless, she had no coquetry, no reserves, none of the dominion which a worldly-minded girl acquires over her husband by ingenious caprice
Source: Gutenberg

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