“ The old lady’s face was like the room she inhabited; it seemed as difficult to detect whether this squalor covered vice or the highest virtue, as to decide whether Adelaide’s mother was an old coquette accustomed to weigh, to calculate, to sell everything, or a loving woman, full of noble feeling and amiable qualities. But at Schinner’s age the first impulse of the heart is to believe in goodness. And indeed, as he studied Adelaide’s noble and almost haughty brow, as he looked into her eyes full of soul and thought, he breathed, so to speak, the sweet and modest fragrance of virtue. ”
Quotes from The Purse (Honoré de Balzac)
Honoré de Balzac,
The Purse
(1832)
“ Is not illusion a sort of night to the mind, which we people with dreams? Illusion then unfolds its wings, it bears the soul aloft to the world of fancies, a world full of voluptuous imaginings, where the artist forgets the real world, yesterday and the morrow, the future—everything down to its miseries, the good and the evil alike.At this magic hour a young painter, a man of talent, who saw in art nothing but Art itself, was perched on a step-ladder which helped him to work at a large high painting, now nearly finished. ”
Honoré de Balzac,
The Purse
(1832)
“ So one day, during the walk her mother usually took in the Tuileries, Adelaide for the first time went up to Hippolyte's studio, on the pretext of seeing the portrait in the good light in which it had been painted. She stood speechless and motionless, but in ecstatic contemplation, in which all a woman's feelings were merged. For are they not all comprehended in boundless admiration for the man she loves? When the painter, uneasy at her silence, leaned forward to look at her, she held out her hand, unable to speak a word, but two tears fell from her eyes. ”
Honoré de Balzac,
The Purse
(1832)
“ She gazed at the formless sketch with the deep absorption which memories of happiness produce when they are roused and fall on the heart like a beneficent dew to whose refreshing touch we love to yield ourselves up; but in the expression of the old lady's face there were traces too of perennial regret. At least, it was thus that the painter chose to interpret her attitude and countenance, and he presently sat down again by her side."Madame," he said, "in a very short time the colors of that pastel will have disappeared. The portrait will only survive in your memory. ”
“ In the middle of the room Hippolyte remarked a card-table ready for play, with new packs of cards. For an observer there was something heartrending in the sight of this misery painted up like an old woman who wants to falsify her face. At such a sight every man of sense must at once have stated to himself this obvious dilemma—either these two women are honesty itself, or they live by intrigue and gambling. But on looking at Adelaide, a man so pure-minded as Schinner could not but believe in her perfect innocence, and ascribe the incoherence of the furniture to honorable causes. ”
“ This was a delicious evening to him, and perhaps to her too. There are some secrets which young souls understand so well. Adelaide could read Hippolyte’s thoughts. Though he could not confess his misdeeds, the painter knew them, and he had come back to his mistress more in love, and more affectionate, trying thus to purchase her tacit forgiveness. Adelaide was enjoying such perfect, such sweet happiness, that she did not think she had paid too dear for it with all the grief that had so cruelly crushed her soul. ”
“ Are not our feelings the most glorious part of our life? It is this partial death which, in certain delicate or powerful natures, leads to the terrible ruin produced by disenchantment, by hopes and passions betrayed. Thus it was with the young painter. He went out at a very early hour to walk under the fresh shade of the Tuileries, absorbed in his thoughts, forgetting everything in the world. There by chance he met one of his most intimate friends, a school-fellow and studio-mate, with whom he had lived on better terms than with a brother. “Why, Hippolyte, what ails you?” ”
“ Adelaide allowed the natural jealousy of women to be perceived when she heard that sometimes at eleven o’clock, on quitting the house, the painter still had visits to pay, and was to be seen in the most brilliant drawing-rooms of Paris. This mode of life, she assured him, was bad for his health; then, with the intense conviction to which the accent, the emphasis and the look of one we love lend so much weight, she asserted that a man who was obliged to expend his time and the charms of his wit on several women at once could not be the object of any very warm affection. ”
“ The day when, as a young girl, in all the radiance of her beauty and all the triumph of her life, she suffered, at the cost of her heart and her sweet illusions, the disenchantment which falls on us so slowly and yet so quickly—for we try to postpone as long as possible our belief in evil, and it seems to come too soon—that day was a whole age of reflection, and it was also a day of religious thought and resignation. ”
“ He loved Mademoiselle de Rouville so passionately that, in spite of the theft of the purse, he still worshiped her. His love was that of the Chevalier des Grieux admiring his mistress, and holding her as pure, even on the cart which carries such lost creatures to prison. “Why should not my love keep her the purest of women? Why abandon her to evil and to vice without holding out a rescuing hand to her?” The idea of this mission pleased him. Love makes a gain of everything. Nothing tempts a young man more than to play the part of a good genius to a woman. ”
“ The silence which generally prevails at that time makes it particularly dear to artists, who grow contemplative, stand a few paces back from the pictures on which they can no longer work, and pass judgement on them, rapt by the subject whose most recondite meaning then flashes on the inner eye of genius. He who has never stood pensive by a friend’s side in such an hour of poetic dreaming can hardly understand its inexpressible soothingness. Favored by the clear-obscure, the material skill employed by art to produce illusion entirely disappears. ”
Honoré de Balzac,
The Purse
(1832)
“ The progress of this true feeling was so rapid that two months after the accident to which the painter owed the happiness of knowing Adelaide, their lives were one life. From early morning the young girl, hearing footsteps overhead, could say to herself, "He is there." When Hippolyte went home to his mother at the dinner hour he never failed to look in on his neighbors, and in the evening he flew there at the accustomed hour with a lover's punctuality. Thus the most tyrannical woman or the most ambitious in the matter of love could not have found the smallest fault with the young painter. ”
Honoré de Balzac,
The Purse
(1832)
“ Adelaide hastened to open the door of the inner room, where she announced the painter with evident pleasure. Hippolyte, who, of yore, had seen the same signs of poverty in his mother's home, noted them with the singular vividness of impression which characterizes the earliest acquisitions of memory, and entered into the details of this existence better than any one else would have done. As he recognized the facts of his life as a child, the kind young fellow felt neither scorn for disguised misfortune nor pride in the luxury he had lately conquered for his mother. ”
“ To lose the bliss we dreamed of, to renounce our whole future, is a keener pang than that caused by the loss of known happiness, however complete it may have been; for is not Hope better than Memory? The thoughts into which our spirit is suddenly plunged are like a shoreless sea, in which we may swim for a moment, but where our love is doomed to drown and die. ”
Honoré de Balzac,
The Purse
(1832)
“ The heart has the singular power of giving extraordinary value to mere nothings. What joy it is to a traveler to treasure a blade of grass, an unfamiliar leaf, if he has risked his life to pluck it! It is the same with the trifles of love.The old lady was not in the drawing-room. When the young girl found herself there, alone with the painter, she brought a chair to stand on, to take down the picture; but perceiving that she could not unhook it without setting her foot on the chest of drawers, she turned to Hippolyte, and said with a blush:"I am not tall enough. ”
“ The two ladies at first talked of painting, for women easily guess the secret embarrassment of a first call; they themselves feel it perhaps, and the nature of their mind supplies them with a thousand devices to put an end to it. By questioning the young man as to the material exercise of his art, and as to his studies, Adelaide and her mother emboldened him to talk. The indefinable nothings of their chat, animated by kind feeling, naturally led Hippolyte to flash forth remarks or reflections which showed the character of his habits and of his mind. ”
“ Indeed, the face of a woman has this element of mystery to puzzle the ordinary observer, that the difference between frankness and duplicity, the genius for intrigue and the genius of the heart, is there inscrutable. A man gifted with the penetrating eye can read the intangible shade of difference produced by a more or less curved line, a more or less deep dimple, a more or less prominent feature. ”
Honoré de Balzac,
The Purse
(1832)
“ Adelaide went into a room next the drawing-room, where she no doubt slept, and returned bringing her mother a cashmere shawl, which when new must have been very costly; the pattern was Indian; but it was old, faded and full of darns, and matched the furniture. Madame Leseigneur wrapped herself in it very artistically, and with the readiness of an old woman who wishes to make her words seem truth. The young girl ran lightly off to the lumber-room and reappeared with a bundle of small wood, which she gallantly threw on the fire to revive it. ”
“ If the work is a picture, the figures represented seem to speak and walk; the shade is shadow, the light is day; the flesh lives, eyes move, blood flows in their veins, and stuffs have a changing sheen. Imagination helps the realism of every detail, and only sees the beauties of the work. At that hour illusion reigns despotically ”
“ To feel for some money in his pocket the painter took his hands off the table, and he then saw before him a purse which Adelaide had slipped in front of him without his noticing it; the poor child had the old one in her hand, and, to keep her countenance, was looking into it for the money to pay her mother. The blood rushed to Hippolyte’s heart with such force that he was near fainting. ”
“ There is something inexplicably romantic in such an enterprise which appeals to a highly-strung soul. Is it not the utmost stretch of devotion under the loftiest and most engaging aspect? Is there not something grand in the thought that we love enough still to love on when the love of others dwindles and dies? ”
“ Talent has immense privileges.” he added, observing the artist’s red ribbon. “That distinction, which we must earn at the cost of our blood and long service, you win in your youth; but all glory is of the same kindred,” he said, laying his hand on his Cross of Saint-Louis. Hippolyte murmured a few words of acknowledgment, and was silent again, satisfied to admire with growing enthusiasm the beautiful girl’s head that charmed him so much. He was soon lost in contemplation, completely forgetting the extreme misery of the dwelling. To him Adelaide’s face stood out against a luminous atmosphere. ”
“ He soon recovered consciousness, and by the light of an old-fashioned Argand lamp he could make out the most charming girl’s face he had ever seen, one of those heads which are often supposed to be a freak of the brush, but which to him suddenly realized the theories of the ideal beauty which every artist creates for himself and whence his art proceeds. ”
“ At the moment when a passion throws off its swaddling clothes, inexplicable pleasures are felt, known to those who have loved. So some readers will understand why the painter mounted the stairs to the fourth floor but slowly, and will be in the secret of the throbs that followed each other so rapidly in his heart at the moment when he saw the humble brown door of the rooms inhabited by Mademoiselle Leseigneur. ”
“ Without having spoken a word of love the lovers knew that they were all in all to one another. Hippolyte enjoyed exerting his power over his gentle little friend, and many concessions were made to him by Adelaide, who, timid and devoted to him, was quite deceived by the assumed fits of temper, such as the least skilled lover and the most guileless girl can affect; and which they constantly play off, as spoilt children abuse the power they owe to their mother’s affection. Thus all familiarity between the girl and the old Count was soon put a stop to. ”
Honoré de Balzac,
The Purse
(1832)
“ At this hint the Baroness looked at her young friend and smiled, while her face lighted up with an expression of sudden gratitude. Hippolyte suspected that the old admiral wished to offer him the price of both portraits while paying for his own. His pride as an artist, no less than his jealousy perhaps, took offence at the thought, and he replied:"Monsieur, if I were a portrait-painter I should not have done this one." ”
Honoré de Balzac,
The Purse
(1832)
“ The two old men arrived at the same hour, the same game of piquet was played, the same speeches made by the players, the sum lost by Adelaide's friend was not less considerable than on the previous evening; only Hippolyte, a little bolder, ventured to chat with the young girl.A week passed thus, and in the course of it the painter's feelings and Adelaide's underwent the slow and delightful transformations which bring two souls to a perfect understanding. Every day the look with which the girl welcomed her friend grew more intimate, more confiding, gayer, and more open ”
“ His adolescent soul was not closed to any of the thousand bashful emotions by which a young man is a being apart, whose heart abounds in joys, in poetry, in virginal hopes, puerile in the eyes of men of the world, but deep because they are single-hearted. ”
Honoré de Balzac,
The Purse
(1832)
“ There are times when an artist is glad of a respite from his greater undertakings by doing work of less lofty pretensions, so it will be a recreation for me to paint that head."The old lady flushed as she heard the painter's words, and Adelaide shot one of those glances of deep feeling which seem to flash from the soul. Hippolyte wanted to feel some tie linking him with his two neighbors, to conquer a right to mingle in their life. ”
“ He stayed late at the studio and dined there; then, at about seven o’clock, he went down to call on his neighbors. No painter of manners has ventured to initiate us—perhaps out of modesty—into the really curious privacy of certain Parisian existences, into the secret of the dwellings whence emerge such fresh and elegant toilets, such brilliant women, who rich on the surface, allow the signs of very doubtful comfort to peep out in every part of their home. ”
Honoré de Balzac,
The Purse
(1832)
“ Hippolyte, guided by the tact which is almost always the outcome of misfortune suffered in early youth, dared not allow himself to make the least remark as to his neighbors' situation, as he saw all about him the signs of ill-disguised poverty. The simplest question would have been an indiscretion, and could only be ventured on by old friendship. The painter was nevertheless absorbed in the thought of this concealed penury, it pained his generous soul ”
