Summary

Portrait of Honoré de Balzac Honoré de Balzac Eugénie Grandet — Chapter IV

The desire of having plenty of time for dressing carefully had led her to get up too early. Ignorant of the art of retouching every curl and studying every effect, Eugenie simply crossed her arms, sat down by the window, and looked at the court-yard, the narrow garden, and the high terraced walls that over-topped it: a dismal, hedged-in prospect, yet not wholly devoid of those mysterious beauties which belong to solitary or uncultivated nature.
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Portrait of Honoré de Balzac Honoré de Balzac Eugénie Grandet — Chapter IV

You may perhaps hear people say that I am rich,—Monsieur Grandet this, Monsieur Grandet that. I let them talk; their gossip does not hurt my credit. But I have not a penny; I work in my old age like an apprentice whose worldly goods are a bad plane and two good arms. Perhaps you'll soon know yourself what a franc costs when you have got to sweat for it. Nanon, where are the candles?"
"I trust, my nephew, that you will find all you want," said Madame Grandet; "but if you should need anything else, you can call Nanon."
Source: Wikisource

Portrait of Honoré de Balzac Honoré de Balzac Eugénie Grandet — Chapter IV

Eugenie, tall and strongly made, had none of the prettiness which pleases the masses; but she was beautiful with a beauty which the spirit recognizes, and none but artists truly love. A painter seeking here below for a type of Mary's celestial purity, searching womankind for those proud modest eyes which Raphael divined, for those virgin lines, often due to chances of conception, which the modesty of Christian life alone can bestow or keep unchanged,—such a painter, in love with his ideal, would have found in the face of Eugenie the innate nobleness that is ignorant of itself
Source: Wikisource

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