Horatio Robert Forbes Brown

Summary

Horatio Robert Forbes Brown 1911 Encyclopædia Britannica (1911)

Nor was it long before Venice made a similar assertion to the imperial representative, Longinus. He was endeavouring to treat with Alboin and the Lombards, and desired to assure himself of Venetian support. He invited the Venetians to give him an escort to Constantinople, which they did, and also to acknowledge themselves subjects of the empire. But they replied that "God who is our help and protector has saved us that we might dwell upon these waters. This second Venice which we have raised in the lagoons is our mighty habitation; no power of emperor or of prince can touch us."
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Horatio Robert Forbes Brown 1911 Encyclopædia Britannica (1911)

The two most striking buildings in Venice, St Mark 's and the Doge's Palace, at once give us an example of the two earlier styles, the Byzantine and the Gothic, at least in their general design, though both are so capricious in development and in decoration that they may more justly be considered as unique specimens rather than as typical examples of their respective styles. In truth, owing to its isolated position on the very verge of Italy, and to its close connexion with the East, Venetian architecture was an independent development.
Source: Wikisource

Horatio Robert Forbes Brown 1911 Encyclopædia Britannica (1911)

Other artists, of whom we know nothing else, such as Antonio Busetto, Antonio Foscolo, Gasparino Rosso, Giacomo da Como, Marco da Legno and others, were called in to help in evolving this masterpiece of decorated architecture, affording us an example of the way in which the ducal palace and other monuments of Venice grew out of the collaboration of numerous nameless artists. By the year 1431 the facade was nearly completed, and Contarini made a bargain with Martino and Giovanni Benzon for the marbles to cover what was yet unfinished. The facade is a triumph of graceful elegance
Source: Wikisource

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