Howard Phillips Lovecraft

Howard Phillips Lovecraft

Summary

Portrait of Howard Phillips Lovecraft Howard Phillips Lovecraft Through the Gates of the Silver Key… (1934)

No death, no doom, no anguish can arouse the surpassing despair which flows from a loss of identity. Merging with nothingness is peaceful oblivion; but to be aware of existence and yet to know that one is no longer a definite being distinguished from other beings - that one no longer has a self - that is the nameless summit of agony and dread.
He knew that there had been a Randolph Carter of Boston, yet could not be sure whether he - the fragment or facet of an entity beyond the Ultimate Gate - had been that one or some other.
Source: Wikisource

Portrait of Howard Phillips Lovecraft Howard Phillips Lovecraft Through the Gates of the Silver Key… (1934)

Once on Earth, though in the body of a clawed, snouted thing, he might be able somehow to find and finish deciphering-the strangely hieroglyphed parchment he had left in the car at Arkham; and with its aid - and the key's - resume his normal terrestrial semblance.
He was not blind to the perils of the attempt. He knew that when he had brought the planet-angle to the right eon (a thing impossible to do while hurtling through space) , Yaddith would be a dead world dominated by triumphant Dholes, and that his escape in the light-wave envelope would be a matter of grave doubt.
Source: Wikisource

Portrait of Howard Phillips Lovecraft Howard Phillips Lovecraft Through the Gates of the Silver Key… (1934)

Then, in the midst of these devastating reflections, Carter's beyond-the-gate fragment was hurled from what had seemed the nadir of horror to black, clutching pits of a horror still more profound. This time it was largely external - a force of personality which at once confronted and surrounded and pervaded him, and which in addition to its local presence, seemed also to be a part of himself, and likewise to be co-existent with all time and conterminous with all space.
Source: Wikisource

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