Inez Haynes Gillmore

Inez Haynes Gillmore

Summary

Portrait of Inez Haynes Gillmore Inez Haynes Gillmore Maida's little house (1921)

Rosie embedded her sharp little teeth into the shining coral of a Baldwin apple. “Oh what a good apple!” she said.
“What did you enjoy most, Silva?” Maida asked curiously, her mouth full of popcorn.
“Oh, living in a house!” Silva answered instantly. “You don’t know what fun that is to me. All my life I have lived either in a tent or a wagon. All my life I have longed to live in a house with lace curtains in the windows.
Source: Gutenberg

Portrait of Inez Haynes Gillmore Inez Haynes Gillmore Maida's little house (1921)

Up-stairs in the Little House, Floribel was getting the spare room ready for one guest. Up-stairs in the barn, Zeke was putting up a cot for another. In the kitchen, Rosie was frantically making popovers. Between the flower garden and the spare room, Laura and Maida were swinging like a pair of active pendulums, decorating with flowers. Outside on lawn and in vegetable garden, the boys were working frantically putting everything in what Rosie called “apple pie order.” Everywhere the smaller children, to whom for the moment nobody was paying any attention, were getting in everybody’s way.
Source: Gutenberg

Portrait of Inez Haynes Gillmore Inez Haynes Gillmore Maida's little house (1921)

Rosie reiterated dreamily, although she was vigorously shaking the popper, “that next Sunday night means Charlestown again, and Monday morning, horrid school once more. How shall we ever get used to being kept indoors? I shall stifle. I shall miss everything—oh dreadfully. But the thing I shall miss most is my lovely little room, out-of-doors. Oh no, it isn’t that,” she contradicted herself, “the thing I shall miss most is the cave. Everything that happens to us is like a story book; but the cave is most like a story book of all.
Source: Gutenberg

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