Summary

Portrait of Israel Zangwill Israel Zangwill Ghetto Comedies — The Bearer Of Burdens (1907)

Only religion was strong enough to achieve that. The two Sabbath candles in the copper candlesticks stood on the white tablecloth, and were lighted as soon as the welcome dusk announced the advent of the holy day, and they shed their pious illumination on her dish of fish and the ritually-twisted loaves. And after supper Natalya would sing the Hebrew grace at much leisurely length and with great unction. Then she would tell stories of her youth in Poland—comic tales mixed with tales of oppression and the memories of ancient wrong. And Daisy would weep and laugh and thrill.
Source: Wikisource

Portrait of Israel Zangwill Israel Zangwill Ghetto Comedies — The Bearer Of Burdens (1907)

A cab would be necessary to carry her goods to her distant garret. What an opportunity for carrying off the children at the same time! The house was actually on her homeward route. The economy of it tickled her, made her overestimate the chances of capture. As she packed the motley, far-spreading heap into the symmetry of her sack, pressing and squeezing the clothes incredibly tighter and tighter till it seemed a magic sack that could swallow up even the Holloway Clothing Emporium, Natalya's brain revolved feverish fancy-pictures of the coming adventure.
Source: Wikisource

Portrait of Israel Zangwill Israel Zangwill Ghetto Comedies — The Bearer Of Burdens (1907)

About eleven in the morning Natalya said: 'Light the candles, Daisy, the Sabbath is coming in.' Daisy spread a white tablecloth on the old wooden table, placed the copper candlesticks upon it, drew it to the bedside, and lighted the candles. They burned with curious unreality in the full August sunshine.
A holy peace overspread the old-clo' woman's face. Her dried-up lips mumbled the Hebrew prayer, welcoming the Sabbath eve. Gradually they grew rigid in death.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature