Israel Zangwill,
Ghetto Comedies — The Hirelings
(1907)
“ He was playing Schumann's Fantasiestücke, but through the stormy passion of In der Nacht he saw the red hair of the heroic Jewess, and into the wistful, questioning Warum insinuated itself not the world-question, but the Jewish question—the sad, unending Jewish question—surging up again and again in every part of the globe, as Schumann's theme in every part of the piano—the same haunting musical figure, never the same notes exactly, yet essentially always the same, the wistful, questioning Warum. Why all this ceaseless sorrow, this footsore wandering, this rootless life, this eternal curse? ”
