Israel Zangwill

Israel Zangwill

Summary

Portrait of Israel Zangwill Israel Zangwill Ghetto Comedies — The Hirelings (1907)

He was playing Schumann's Fantasiestücke, but through the stormy passion of In der Nacht he saw the red hair of the heroic Jewess, and into the wistful, questioning Warum insinuated itself not the world-question, but the Jewish question—the sad, unending Jewish question—surging up again and again in every part of the globe, as Schumann's theme in every part of the piano—the same haunting musical figure, never the same notes exactly, yet essentially always the same, the wistful, questioning Warum. Why all this ceaseless sorrow, this footsore wandering, this rootless life, this eternal curse?
Source: Wikisource

Portrait of Israel Zangwill Israel Zangwill Ghetto Comedies — The Hirelings (1907)

He had burst the coils of this narrow tribalism that had suddenly retwined itself round him; he had got back again from the fusty conventicles and the sunless Ghettos—back to spacious salons and radiant hostesses and the great free life of art. He drew deep breaths of sea-air as he paced the deck, strewn so thickly with pleasant passengers to whom he felt drawn in a renewed sense of the human brotherhood.
Source: Wikisource

Portrait of Israel Zangwill Israel Zangwill Ghetto Comedies — The Hirelings (1907)

When I left Russia as a girl—so young,' she interpolated with a sad smile, 'that I had not even been married—I left a priest-ridden, paralysed people, a cringing, cowering, contorted people—I shall never forget the panic in our synagogue when a troop of Cossacks rode in with a bogus blood-accusation. Now it is a people alive with ideas and volitions; the young generation dreams noble dreams, and, what is stranger, dies to execute them. Our Bund is the soul of the Russian revolution; our self-defence bands are bringing back the days of Judas Maccabæus.
Source: Wikisource

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