Summary

Ivor Noël Hume Smithsonian Institution - United States National Museum - Bulletin 249

Clearly, we, like the Lords of the Board of Trade, are led to believe that a semiskilled country potter was operating a small shop which produced crude pottery incapable of competing with English wares. The word "poor" can be interpreted doubly, connoting both poverty and low quality. Hence, by inference, it was an enterprise destined to failure. But such an impression of failure was not supported by Gooch's own evidence that the pottery works were continuing year after year.
Source: Gutenberg

Ivor Noël Hume Smithsonian Institution - United States National Museum - Bulletin 249

In short, techniques of manufacture such as are exhibited by the shaping of earthenware rims and handles should be the only acceptable guide for identification, and even these are not infallible. As for the stoneware, the manufacturing techniques are so English in character that they are of no help. Thus, once the Rogers stoneware was shipped out of Yorktown, it must have lost its identity as totally as Governor Gooch presumably had hoped that it would.
Source: Gutenberg

Ivor Noël Hume Smithsonian Institution - United States National Museum - Bulletin 249

The treatment of the single-reeded handle on the Challis site mug equals the best English examples, being thin and of sufficient size to accommodate three fingers, with the top of its curve remaining below the edge of the rim so that the thumb cannot slip over it. In addition, the lower terminal is folded back on itself and impressed. While it has often been said that the signature of a potter is found in the shaping of his rims and his handles, we must remember that in a large commercial pottery the person who applies the handles often is not the same workman as he who throws the pot.
Source: Gutenberg

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