Summary

Jacob Riis,  How the Other Half Lives — Chapter XIII: The Color Line in New York

“ The poorest negro housekeeper's room in New York is bright with gaily-colored prints of his beloved "Abe Linkum," General Grant, President Garfield, Mrs. Cleveland, and other national celebrities, and cheery with flowers and singing birds. In the art of putting the best foot foremost, of disguising his poverty by making a little go a long way, our negro has no equal. When a fair share of prosperity is his, he knows how to make life and home very pleasant to those about him. Pianos and parlor furniture abound in the uptown homes of colored tenants and give them a very prosperous air. ”
Source: Wikisource

Jacob Riis,  How the Other Half Lives — Chapter XIII: The Color Line in New York

“ How many colored carpenters or masons has anyone seen at work in New York? In the South there are enough of them and, if the testimony of the most intelligent of their people is worth anything, plenty of them have come here. As a matter of fact the colored man takes in New York, without a struggle, the lower level of menial service for which his past traditions and natural love of ease perhaps as yet fit him best. Even the colored barber is rapidly getting to be a thing of the past. ”
Source: Wikisource

Jacob Riis,  How the Other Half Lives — Chapter XIII: The Color Line in New York

“ Poverty, abuse, and injustice alike the negro accepts with imperturbable cheerfulness. His philosophy is of the kind that has no room for repining. Whether he lives in an Eighth Ward barrack or in a tenement with a brown-stone front and pretensions to the title of "flat," he looks at the sunny side of life and enjoys it. He loves fine clothes and good living a good deal more than he does a bank account. ”
Source: Wikisource

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