James B. Connolly

James B. Connolly

Summary

Portrait of James B. Connolly James B. Connolly The Lottery of the Sea (1912)

One evening the skipper called the passenger on deck to view a sunset, and the passenger detached himself from the cook and his monologue on blueberries and went up, to discover that the skipper had an eye for color. It was the sea. More colors there than a man could name, coming and going on a surface that was lifting and falling to the most gentle swell, and smooth as oiled silk.
Source: Wikisource

Portrait of James B. Connolly James B. Connolly The Lottery of the Sea (1912)

And the little Henriette rolled down, and the solid water began to come aboard; and by and by a buoy-keg went floating off her house and overboard. A fine half-barrel of a buoy-keg it was, too, neatly black and white painted, smooth and tight as a drum; a beauty of a buoy, which later, on the end of a fifty-fathom warp, ought rightly to be towing after a fat swordfish; but now she was dancing to no purpose whatever atop of the swirling seas astern. We thought the skipper would put back after it, but not so. "To the devil with it! Buy a new one—and next time you'll learn to lash it."
Source: Wikisource

Portrait of James B. Connolly James B. Connolly The Lottery of the Sea (1912)

Fishermen tell you wonderful stories of the endurance of a harpooned swordfish; our skipper told of one that towed a buoy five miles after he had been ironed through the heart. This one, we knew, had been ironed deep, and yet he took that buoy at a lively pace, and even after Bill had caught up with the buoy and taken the warp inboard he had to let it go; and again that happened. But Bill had him at last, or so it looked to us from the vessel—buoy in, warp in, the fish alongside—and was about to put the final touch to him, to lance him in the head, when, whir-h-h!
Source: Wikisource

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