Jean-Henri Fabre

Jean-Henri Fabre

Summary

Portrait of Jean-Henri Fabre Jean-Henri Fabre The Life and Love of the Insect (1911)

The Calicurgus, who has just thrown her on her back, after a brisk wrestling-match, knows well enough that the insect on the ground is not dead. The Spider, thinking to protect herself, shams the lifelessness of a corpse; the assailant takes advantage of this to strike her most dangerous blow, the stab in the mouth. If the poison-tipped fangs were to open then, to snap, to bite in their despair, the Calicurgus would never dare expose the tip of her stomach to their mortal sting. The pretence of death is just what causes the success of the huntress in her risky operation.
Source: Gutenberg

Portrait of Jean-Henri Fabre Jean-Henri Fabre The Life and Love of the Insect (1911)

In the discreet dusk of the twilight, I see him appear on the threshold of his burrow. He has mounted from the depths, he has come to gather his harvest. He has not long to seek: the provisions are there, outside the door, plentifully served and renewed by my care. Timidly, prepared to retreat at the least alarm, he walks up to them with a slow and measured step. The shield cuts and rummages, the fore-legs extract. An armful is separated from the rest, quite a modest armful, crumbling to pieces. The Copris drags it backwards and disappears underground.
Source: Gutenberg

Portrait of Jean-Henri Fabre Jean-Henri Fabre The Life and Love of the Insect (1911)

A cave opens out and, in the moist warmth of the yawning vault, I see a splendid pear lying full-length upon the ground. I shall certainly long remember this first revelation of the maternal work of the Scarab. My excitement could have been no greater were I an archæologist digging among the ancient relics of Egypt and lighting upon the sacred insect of the dead, carved in emerald, in some Pharaonic crypt. O blessed joys of truth suddenly shining forth, what others are there to compare with you!
Source: Gutenberg

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