Jean-Henri Fabre

Jean-Henri Fabre

Summary

Portrait of Jean-Henri Fabre Jean-Henri Fabre The Mason-Bees

The mortar-quarry which the Sicilian Mason-bee prefers to work is a frequented highway, whose metal of chalky flints, crushed by the passing wheels, has become a smooth surface, like a continuous flagstone. Whether settling on a twig in a hedge or fixing her abode under the eaves of some rural dwelling, she always goes for her building-materials to the nearest path or road, without allowing herself to be distracted from her business by the constant traffic of people and cattle. You should see the active Bee at work when the road is dazzling white under the rays of a hot sun.
Source: Gutenberg

Portrait of Jean-Henri Fabre Jean-Henri Fabre The Mason-Bees

Life in general is but a vast brigandage. Nature devours herself; matter is kept alive by passing from one stomach into another. At the banquet of life, each is in turn the guest and the dish; the eater of to-day becomes the eaten of tomorrow; hodie tibi, cras mihi. Everything lives on that which lives or has lived; everything is parasitism. Man is the great parasite, the unbridled thief of all that is fit to eat. He steals the milk from the Lamb, he steals the honey from the children of the Bee, even as the Melecta pilfers the pottage of the Anthophora's sons.
Source: Gutenberg

Portrait of Jean-Henri Fabre Jean-Henri Fabre The Mason-Bees

No, the Stelis never abandoned the delicate art of cotton-weaving to break down walls and to grind cement, a class of work far too unattractive to efface the memory of the joys of harvesting amid the flowers. Indolence has not evolved her from an Anthidium. She has always been what she is to-day: a patient artificer in her own line, a steady worker at the task that has fallen to her share.
Source: Gutenberg

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