Summary

Portrait of Jerome K. Jerome Jerome K. Jerome John Ingerfield, and Other Stories

Thinking of Anne, John’s face grows gentler, his hand kinder; dreaming of him, her heart grows stronger, deeper, fuller. Every available room in the warehouse has been turned into a ward, and the little hospital is open free to all, for John and Anne feel that the whole world are their people. The piled-up casks are gone—shipped to Woolwich and Gravesend, bundled anywhere out of the way, as though oil and tallow and the gold they can be stirred into were matters of small moment in this world, not to be thought of beside such a thing as the helping of a human brother in sore strait.
Source: Gutenberg

Portrait of Jerome K. Jerome Jerome K. Jerome John Ingerfield, and Other Stories

The only feeling that a closer intimacy has created in him for his wife is that of indulgent contempt. As there is no equality between man and woman, so there can be no respect. She is a different being. He must either look up to her as superior to himself, or down upon her as inferior. When a man does the former he is more or less in love, and love to John Ingerfield is an unknown emotion. Her beauty, her charm, her social tact—even while he makes use of them for his own purposes, he despises as the weapons of a weak nature.
Source: Gutenberg

Portrait of Jerome K. Jerome Jerome K. Jerome John Ingerfield, and Other Stories

Typhus is the creature’s name. At first it lurks there unnoticed, battening upon the rich, rank food it finds around it, until, grown too big to hide longer, it boldly shows its hideous head, and the white face of Terror runs swiftly through alley and street, crying as it runs, forces itself into John Ingerfield’s counting-house, and tells its tale. John Ingerfield sits for a while thinking. Then he mounts his horse and rides home at as hard a pace as the condition of the streets will allow. In the hall he meets Anne going out, and stops her.
Source: Gutenberg

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