Summary

John Dennis An Essay on the Opera's After the Italian Manner (1706)

What must those Strangers say, when they behold Englishmen applaud an Italian for Singing, or a Frenchman for Dancing, and the very moment afterwards explode an Englishman for the very same things? What must they say, unless they have Candour enough to interpret it this way, that an Englishman is deservedly scorned by Englishmen, when he descends so far beneath himself, as to Sing or to Dance in publick, because by doing so he practises Arts which Nature has bestow’d upon effeminate Nations, but denied to him, as below the Dignity of his Country, and the Majesty of the British Genius.
Source: Wikisource

John Dennis An Essay on the Opera's After the Italian Manner (1706)

That so great is the sympathy of Souls, that it is impossible for a thinking Man to be Happy, but in the common Felicity of his Fellow Creatures; that He who never did any thing to promote that, never felt perfect Pleasure; that Man has infinitely more Pleasure, ev’n of Sense, from those acts by which he maintains his Species, than he has from those by which he preserves himself. What Raptures of mind must those Heroes feel, whose Virtue has been the preserver of Nations, and made a World Happy! That great Minds bravely contemn Death to further that Felicity
Source: Wikisource

John Dennis An Essay on the Opera's After the Italian Manner (1706)

If a Poet is not admir’d, tho’ the Man may live, the Spirit of the Poet dies, but a People to admire those generous Sentiments which abound in Poetry, must at least have something in them that answers to them: If they once grow wholly immerst and sunk in Pleasures of sense, those elevated Notions appear as so many Libels upon them, and their sickly Souls either turn away from them, or very feebly answer to them.
Source: Wikisource

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