Summary

John Edwin Sandys 1911 Encyclopædia Britannica, Volume 20… (1911)

Treasury of Minyas, " the Athenian Propylaea, the theatre of Epidaurus, the temples of Bassae and Tegea, the walls of Messene, the Odeum at Patrae, as well as the building
of the same name lately built at Athens by Herodes Atticus (vii. 20, 6) , and finally the Stadium which that munificent Athenian had faced with white marble from the quarries of Pentelicus. His descriptions of the monuments of art are plain and unadorned; they bear the impress of reality, and their accuracy is confirmed by the extant remains. He is perfectly frank in his confessions of ignorance.
Source: Wikisource

John Edwin Sandys 1911 Encyclopædia Britannica, Volume 20… (1911)

The account of the law courts of Athens and of the altars at Olympia may have been derived from monographs on those subjects. In both cases the author departs from his usual method of following the order of place, and deals with a group of monuments belonging to the same class. But in the extant literature of antiquity (as J. G. Frazer has shown) no passage has been found agreeing in form or substance so closely with the description in Pausanias as to make it probable that he copied it.
Source: Wikisource

John Edwin Sandys 1911 Encyclopædia Britannica, Volume 20… (1911)

He is rather reticent as to the character of the roads, but he records, with the gratitude of a traveller, the fact that the narrow and perilous cornice of the Scironian way along the coast of Megara had been made wider and safer by Hadrian. He is inspired by a patriotic interest in the ancient glories of Greece, recognizing in Athens all that was best in the old Greek life, and lamenting the ruin that had befallen the land on the fatal field of Chaeronea. He is most at home in describing the religious art and architecture of Olympia and of Delphi
Source: Wikisource

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