Summary

Portrait of Joseph Pennell Joseph Pennell Joseph Pennell's Pictures in the Land of Temples

But we must remember also that the stones that remain are only ruins. Even in these we may trace many of the perfections of the ancient artist; but if we could see them as they were, we should see, not stones bleached and weathered, but buildings resplendent with colour and gold. Columns, capitals, architraves, all were a blaze of colour, decorated with graceful patterns and painted to match the blue sea and the golden sunlight. And now for us Sunium is a white ghost like the light of the moon, the Parthenon a rose in decay.
Source: Gutenberg

Portrait of Joseph Pennell Joseph Pennell Joseph Pennell's Pictures in the Land of Temples

Not a living soul was there in the circuit of the city walls, nothing but a bare plain with hundreds of flowering grasses, and the great temples in their grandeur. All its charm is gone now: a factory stains the sky with its smoke, and the modern world, whose god is its belly, has put its foul mark upon the quietude of Pæstum. Those who saw Pæstum when it was one of the most impressive sights in the world, will be careful not to go thither again.
Corinth, on the other hand, takes us back to the heart of the ancient world. From time immemorial Corinth was a great place.
Source: Gutenberg

Portrait of Joseph Pennell Joseph Pennell Joseph Pennell's Pictures in the Land of Temples

From the summit we see the whole centre of Greece; even the Parthenon itself, the centre of Greek artistic achievement. Here too is the sacred spring Peirene, struck out by the hoof of Pegasus.
The view here given towards the gulf shows Parnassus in the distance, like a ghost.
Athens is the heart of Greece, and Greece is the soul of mankind. No man who loves what is beautiful, or who admires what is noble, can fail to feel at home in Athens.
Source: Gutenberg

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