Summary

Seeing Europe with Famous Authors…

Here truly is the ancient Germanic forest, as if a reminiscence of the religious groves of Irmensul. Light pours in transformed by green, yellow and purple panes, as if through the red and orange tints of autumnal leaves. This, certainly, is a complete architecture like that of Greece, having, like that of Greece, its root in vegetable forms. The Greek takes the trunk of the tree, drest, for his type; the German the entire tree with all its leaves and branches. True architecture, perhaps, always springs out of vegetal nature, and each zone may have its own edifices as well as plants
Source: Gutenberg

Seeing Europe with Famous Authors…

Of this gigantic building, the vastest Greek temple in Europe, we happily have somewhat full descriptions from men who had looked at it, if not in the days of its full glory, yet at least when it was a house standing up, and not a ruin. As it now lies, a few fragments of wall still standing amid confused heaps of fallen stones, of broken columns and capitals, no building kindles a more earnest desire to see it as it stood in the days of its perfection.
Source: Gutenberg

Seeing Europe with Famous Authors…

Eastward, the plain [Pg 177] slopes to the deep Bay of Suda, whose surface shone blue above the silvery line of the olive groves; while, sixty miles away, rising high above the intermediate headlands, the solitary peak of Mount Ida, bathed in a warm afternoon glow, gleamed like an Olympian mount, not only the birthplace, but the throne of immortal Jove. Immense olive trees from the dark-red, fertile earth; cypresses and the canopied Italian pine interrupted their gray monotony, and every garden hung the golden lamps of its oranges over the wall. The plain is a paradise of fruitfulness....
Source: Gutenberg

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