Summary

Portrait of James George Frazer James George Frazer Studies in Greek Scenery, Legend and History

A few hamlets nestle in the nooks and glens at the foot of the mountains; but in the wide strath and on the banks of the lake not a human habitation is to be seen. The impression left by the scenery on some minds is that of gloom and desolation. Yet on a hot day, when all the landscape is flooded with the intense sunlight of the south, it is pleasant to sit on the rocky ridge of Stymphalus, looking down on the cool clear water of the lake and listening to the cries of the water-fowl, the drowsy hum of bees, and the tinkle of distant goat-bells.
Source: Gutenberg

Portrait of James George Frazer James George Frazer Studies in Greek Scenery, Legend and History

The stately city with its temples, its terraced gardens, its colonnades, its fountains, is no more. In its place there is spread out at our feet the flat yellowish expanse of the Isthmus, stretching like a bridge across the sea to the point where the Geranian mountains, their slopes clothed with the sombre green of the pine-forests, rise abruptly like a massive barrier at its farther end, sending out on their western side a long promontory, which cuts far into the blue waters of the Corinthian Gulf. Across the Gulf tower on the north the bold sharp peaks of Cithaeron and Helicon in Boeotia.
Source: Gutenberg

Portrait of James George Frazer James George Frazer Studies in Greek Scenery, Legend and History

Before entering the plain, on its passage from these rugged highlands, the Acheron flows through a profound and gloomy gorge, one of the darkest and deepest of the glens of Greece. On either side precipices rise sheer from the water’s edge to a height of hundreds of feet, their ledges and crannies tufted with dwarf oaks and shrubs. Higher up, where the sides of the glen recede from the perpendicular, the mountains rise to a height of over three thousand feet, the black pine-woods which cling to their precipitous sides adding to the sombre magnificence of the scene.
Source: Gutenberg

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