John Gallishaw

Summary

John Gallishaw Trenching at Gallipoli

Art Pratt had walked just behind the blanket until we came to the communication trench. Even then he was loath to leave me. He could not trust himself to speak when I said, "Good-by, Art, old pal." He grasped my hand, and holding it walked along a few feet. Then he dropped my hand gently. There are some things in life that stand out ineffably sweet and satisfying. For me such a one was that last moment of farewell to Art. I had always considered him the most fearless man in a regiment whose name was a byword for reckless courage. Of all men on the Peninsula I valued his opinion most.
Source: Gutenberg

John Gallishaw Trenching at Gallipoli

Against the hazy blue of the skyline we could see the dark mass clearly silhouetted. Every few seconds, when a shell landed in the middle of the approaching columns, the sides of the column would bulge outward for an instant, then close in again. Meanwhile, every man in our trenches stood on the firing platform, head and shoulders above the parapet, with fixed bayonet and loaded rifle, waiting for the order [51] to begin firing. Still the Turks came on, big, black, bewhiskered six footers, reforming ranks and filling up their gaps with fresh men. Now they were only six hundred yards away.
Source: Gutenberg

John Gallishaw Trenching at Gallipoli

It was with eleven hundred eager spirits that I lined up on a Sunday evening early in August, 1915, on the deck of a troopship, in Mudros Harbor, which is the center of the historic island of Lemnos, about fifty miles from Gallipoli. Around us lay all sorts of ships, from ocean leviathans to tiny launches and rowboats. There were gray and black-painted troopers, their rails lined with soldiers, immense four-funneled men-o'-war, and brightly lighted, white hospital ships, with their red crosses outlined in electric lights. The landing officer left us in a little motor boat.
Source: Gutenberg

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