John Masefield

John Masefield

Summary

Portrait of John Masefield John Masefield,  Captain Margaret (1916)

“ With Margaret and Cammock away, and Perrin seldom present at meals, owing to his fear of the badgering of Stukeley, the cabin of the Broken Heart had come to be something of a home to her. She could feel again that nothing else really existed, that no one else really lived, that all the world, all the meaning and glory and life of the world, centred in the two burning mouths, in the two hearts which divined each other, apprehending all things in themselves. During that week of privacy she had even learned to think tenderly again of the three men who had shared the cabin with her. ”
Source: Gutenberg

Portrait of John Masefield John Masefield,  Captain Margaret (1916)

“ After dark that night Margaret sat on the locker-top, looking at the wake, as it shone below him about the rudder. He was thinking over his manifold failure, feeling disgraced and stained, a defeated, broken man. Olivia entered quietly from the alleyway. He only felt her enter. There was no light in the cabin. The steward was busy with the wounded.
“Is that you, Olivia?” he asked, knowing that it was she. He felt in his heart the gladness which her presence always gave to him. Life could always be noble, he thought, with that beautiful woman in the world.
”
Source: Gutenberg

Portrait of John Masefield John Masefield,  Captain Margaret (1916)

“ The line of land became jagged. What had seemed to be the main now showed as islands, a long, low island, dark with mangrove, and to the south of it a sloping peak, wooded to the top, a cone of green, with rocks about it over which the breakers toppled. Margaret could see the line of the breakers advancing towards them, blue and glassy. In the stillness, he could see the curl on the wave, the slow running curl along the line, then the intense brightness of the burst, a momentary marvel of white. He looked at Cammock, who was looking at the wooded hill, full of memories. ”
Source: Gutenberg

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