Summary

Portrait of John Oliver Hobbes John Oliver Hobbes The Annotated The Tales of John Oliver Hobbes… (1894)

Anna found in Richard Kilcoursie a man who, though not of her world, showed an immense appreciation for it. If he had no Art, he had at least a Temperament. In his enthusiasm, his impulsiveness, and buoyant sense of irresponsibility, he was like the men of her own people; he was only unlike them where the difference seemed, in her eyes, immeasurably to his advantage. He had a grace of manner and bearing common enough, it may be, among well-born Irishmen, but exceedingly rare among the art students, journalists, and actors of Jasper Street, Bloomsbury.
Source: Wikisource

Portrait of John Oliver Hobbes John Oliver Hobbes The Annotated The Tales of John Oliver Hobbes… (1894)

If Anna had been true to herself, however, at that crisis she would have passed out of his life for ever and begun the world afresh, unfriended. But while she could face the world, she could not face the loneliness: solitude à deux [27] makes solitude only one of two things—perfect rest or complete destruction. In her case she feared it would mean destruction. Richard, with all his shortcomings, had grown, as it were, part of her nature; losing him would mean losing her dearest weakness.
Source: Wikisource

Portrait of John Oliver Hobbes John Oliver Hobbes The Annotated The Tales of John Oliver Hobbes… (1894)

When the change came in Richard's fortune her tastes remained the same, but, when they went to the theatre, they had a box and a chaperon. In Jasper Street, Bloomsbury, where nature was more in vogue than respectability, a chaperon was considered an unnecessary and tedious addition to the ordinary plagues of life, but Richard explained that Society which bought pictures was very different from Society which painted them: he pointed out, with all possible delicacy, that although she might not care for the whims of the polite world, he, from the habit of his early training, did and must.
Source: Wikisource

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