Summary

Portrait of John R. Wise John R. Wise The New Forest: Its History and Its Scenery

The holly, too, grows everywhere in massy clumps. In the spring, the wild crab (Pyrus Malus) crimsons the thickets of Brockenhurst, in the autumn the maple. The butcher’s broom stands at the foot of each beech, and the ivy twines its great coil round each oak, and the mistletoe finds its home on the white poplar.
After all, the trees, and not the flowers, give its character to the New Forest. In the spring, all its woods are dappled with lights and shades, with the amber of the oak and the delicate soft-gleaming green of the birch and beech.
Source: Gutenberg

Portrait of John R. Wise John R. Wise The New Forest: Its History and Its Scenery

As we reach the top, suddenly there opens out one long view. On the north-east rise the hills beyond Winchester; but the “White City” is hidden in their valley. To the east lies Southampton, with its houses by the water-side; and to the north, across the woods of Prior’s Acre, gleam the green Wiltshire downs lit up by the sunlight.
Close to us, among its beeches, lies Castle Malwood, with its single trench and Forest lodge, where tradition and poets say Rufus feasted before his death; and down in the valley stands the Stone which marks the spot where he is said to have fallen.
Source: Gutenberg

Portrait of John R. Wise John R. Wise The New Forest: Its History and Its Scenery

The finest beech-wood is that of Mark Ash. There you may see true beech-forms, the boles spangled with silver scales of lichen, and the roots—more fangs than roots—grasping the earth, feathered with the soft green down of moss.
But not in individual trees lies the beauty of the Forest, but in the masses of wood. There, in the long aisles, settles that depth of shade which no pencil can give, and that colouring which no canvas can retain, as the sunlight pierces through the green web of leaves, flinging, as it sets, a crown of gold round each tree-trunk.
Source: Gutenberg

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